The upcoming project of sister villas, The Terracotta House and the Indigo House are taking shape on-site. Set in the Pomburpa Village in Goa, the houses are designed to connect with the land with an ecological design, enjoyed barefoot with the calm interactions of nature. To experience the outcome's look and feel, here’s our material palette.

View this post on Instagram

A post shared by Anjali Mangalgiri (@anjali.mangalgiri)

The selection and finalization of materials is an important and lengthy design process. Colors and textures define the space. The feel and the vibe we experience are a product of it. Terracotta house is earthy and serene with warm tones, harmonizing the interiors and exterior. Indigo House is calm with quiet views of water, and tones of blue merging with the view.

---

In celebration of World Earth Day 2024, we wanted to share our journey of building a small house in Goa using rammed earth construction. We've divided our experience into three parts:

PART 1: the project's inception,

PART 2: the challenges we encountered, and finally,

PART 3: the successful execution of our first rammed earth wall on-site.

Our story begins with the start of the project and a hands-on workshop on Rammed Earth led by Gia Mantra Village. Sanjeev Wahi the COO of Grounded attended this workshop.

View this post on Instagram

A post shared by Anjali Mangalgiri (@anjali.mangalgiri)

Following this, we delved into research and development specific to our site living in Goa, conducting tests, and facing various challenges along the way.

View this post on Instagram

A post shared by Anjali Mangalgiri (@anjali.mangalgiri)

Through our dedication and with assistance from Thumb Impressions, we overcame these obstacles and successfully completed the first wall of the house.

View this post on Instagram

A post shared by Anjali Mangalgiri (@anjali.mangalgiri)

From researching and trying out different mixes to solving real-life challenges with the walls, we've come a long way. Building rammed earth walls depends a lot on the specific site and many factors need to be taken into account. We've successfully built these walls at our site and want to share our experience to help others interested in rammed earth construction find all the information they need in one place. You can find more about our journey on our Instagram. If you have any questions, feel free to send us a direct message.

---

Images sourced from Anupama Kundoo

Wall House in Auroville is an experimental house designed by sustainability champion Anupama Kundoo. The architecture employs a play in proportions to create comfortable yet dramatic spatial envelopes. The house is built entirely with locally sourced materials in new, innovative ways to create soothing, earthy spaces that respond to the warm, humid climate.

Wall House is predominantly constructed with the vernacular ‘Achukkal’ brick, once ubiquitous to the building landscape in Tamil Nadu. Known for their unique flat, thin profiles and their distinctive red colour, Achukkal bricks are typically made out of left-over silt that is collected from farmlands around. They are then shaped by hand and fired in clay ovens for strength and stability. The bricks are deemed to be extremely sustainable, given their long life, low cost of production, and the sparing amounts of energy use for manufacturing.

The earthy palette and warm finishes move beyond the brick walls and are found throughout the house. The august clay pot vault above the double-height living space and the innovative filler slab roof above the dining area are particularly worthy of mention.

Each facade of Wall House sports unique fenestrations that bring in fresh air and ample daylight. On one side, a series of louvered windows built out of local mango wood and completed with unpolished granite stone come into sight. On the other side, a series of pivoting ferrocement screens open the house to the verdant landscape around when open, and bring beautiful light and shadow patterns indoors when closed.

We love designs that at once marry form and function and do so with panache. As we design our houses in Goa, we are constantly on the lookout for products that elevate a spatial experience through colour, texture, and shape - all without compromising on functional capabilities. The Rio lamp by designer Harshita Jhamtani delivers all this and more.

The Rio shines in different natural stone finishes ranging from White Travertine, Bheslana stone, Green Forest Marble, and Sandstone, among others. In each case, the designer says, “All the lamps are carved out of a single block and have a fluting detail complimenting the properties of each stone.” The diverse options available ensure that there’s a Rio that works for every design style and every kind of space.

Furthermore, the Rio is built to last. In interpreting sustainability, Harshita Jhamtani qualifies, “As a studio, we believe that the most sustainable practice for a designer to adapt, is to create products that their patrons can buy once and cherish for a longtime. We bring this very dream to life by creating long-lasting unique pieces that shall take a small step towards accelerating the low carbon economy.”

Images courtesy Harshita Jhamtani designs

The Rio lamp is minimal, yet artful and robust with its material sensibilities. It is a beautiful way of bringing the elements of the outdoors, indoors. It is timeless in its rustic simplicity.

Celebrating Navovado, our design-build vacation house in the Goan countryside through a gallery of photographs of the courtyard house. Earlier this year, Navovado won the prestigious Platinum Certification from the Indian Green Building Council. Navovado harvests all of its roof rainwater and recharges the water well on site. The use of low-flow water fixtures further improves water efficiency. Focus on use of insulation on the roof, double-glazed glass, low­energy use appliances, LED lighting and 100% hot water from Solar power makes this home extremely energy efficient. The structure is constructed using locally manufactured materials and materials with a high recycled content such as Laterite stone, Matti wood, Fly-ash brick and Slag cement. The garden is planted using native local species to reduce water use for ir­rigation. Finally, large openings allow for maximum daylighting and cross-ventilation, reducing the energy use for lighting and cooling.

The heart of the home lies in the large central courtyard that is an extension of the kitchen, living and dining space. The courtyard houses the swimming pool and provides a green private space to be enjoyed by all the residents of the house. The courtyard morphs in its use depending on the time of day and occasion. The guest bedrooms on the ground floor are designed as pavilions on either side of the courtyard, while the first-floor bedrooms have a large terrace overlooking the courtyard that connects the two levels.

Find Navovado featured in detail on our Instagram page here.

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

View fullsize

Unlike the other colonial powers in India, the Portuguese managed to leave a much more visible mark on the residential architecture of the area they ruled. The British and the French left their mark on the architecture of huge buildings such as assemblies and railway stations which have since become landmarks of the period.

The Portuguese in Goa built residential houses reflecting a style which is hardly found elsewhere on the Indian subcontinent. These magnificent palatial houses inspired by European architectural style are still found in Goa today, although they are confined to the rural areas such as Chandrapura, Chandor and Loutolim. These mansions were built in an era when the Portuguese had handsome profits from their trading colonies in Africa and South America.

This blogpost looks at some of the old heritage houses of South Goa which were inspired by European architectural styles and stand tall even today.

---

---

---

---

Braganza House

The Braganza House is 350 years old and occupies one entire side of the village square in Chandor. This elaborate mansion is spread over 10,000 sqm and is divided into two wings that are occupied by the Braganza family. The palatial house has a stunning ballroom, massive Belgian crystal chandeliers, exquisite antiques collected over centuries and the oldest private library in Goa with over 5000 books.

Palacio do Deao

Palacio do Deao, a 213 years old mansion, was built by a Portuguese noble man, who was the Dean of the Church, and founder of Quepem town. The house faces the Church he built and is on the banks of the wildly beautiful Kushavati River. Here’s a video about the lovely house.

Figueirido House

The magnificent Figueirido House in Loutolim took shape as early as 1590, at a time when the Taj Mahal was yet to be conceived. The Figueiredo family had a prominent presence in Goa as lawyers, diplomats and ambassadors. Today, the family has converted part of this palatial home into a historic museum with yet another section opened out as a breathtaking heritage homestay for visitors. Take a virtual tour through this palatial estate here.

Casa Araujo Alvares

This 250-year-old mansion belongs to the Alvares family and forms part of the Ancestral Goa tourist complex, set up to recreate Goan village life under Portuguese rule. The house has a spacious courtyard, a quaint chapel at its centre, old European furniture like most of its contemporaries and eclectic seashell windows that bring the beach inside.

To know more about the hidden gems of South Goa, read The Charms of South Goa - Part I

---

---

The earth in Goa is a distinct red color due to a higher iron content hence the laterite stone which is local to Goa has the same red hue and a beautiful porous texture. We tend to feature exposed laterite stone walls often in our buildings and landscaping. We also use red terracotta roof tiles on our building roofs. We find that this allows our buildings to merge into the landscape.

RED TERRACOTTA ROOF TILES

In our building interiors, as a thumb-rule we tend to use a single floor finish throughout the house. Our preference has been in the use of natural stone and we tend to use locally available stones such as Kudupah, Kota, Tandoor and Jaisalmer. We often use the same stone in the interior and exterior of the rooms, sometimes varying the texture and finish of the indoor and outdoor stone for a subtle difference that can mostly only be felt under one’s bare feet.

In the building interiors, we also have a great preference for the use of cement finish or IPS. For us, this finish works very well with our desire for an earthy look and feel. An IPS finish feels smooth and cool to one’s touch and its natural weathering, slight patchiness and cracks mimics the imperfections found in nature.

(ABOVE) INDOOR-OUTDOOR FLOORING AT NAVOVADO

We used mirror polished Kota stone in the interior and the verandah in the central courtyard at Navovado. I really like the way the same flooring flows in and out. This accentuates the connection of the indoor-outdoor. I also feel that the faded green color of Kota stone works very well with the green landscape outside. The flow if very pleasing to the eye and not jarring with unnecessary boundaries. We took the Kota in a rough texture on top of the swimming pool edge to once again tie all the elements together into one unified composition. This goes back to our design philosophy, where we feel that the central focus in our houses in Goa must be on the connection with the landscape.

(LEFT) IPS FINISH IN PROGRESS AT THE HOUSE WITH THREE PAVILIONS

EXPOSED LATERITE WALLS

INDOOR-OUTDOOR FLOORING AT NIVIM

We used mirror polished Kudupah in the interiors and a rough Kudupah in the verandahs.

INDOOR-OUTDOOR FLOORING AT NAVOVADO

We used mirror-polished Jaisalmer stone and a similar color vitrified tile on the terrace. The connection was further highlighted by using Jaisalmer again in the exterior skirting.

Read On

In-built seats are one of my favorite features to design across projects. In-built seats truly capture the ‘sussegad’ spirit of Goa, where afternoons are meant for relaxing in shaded verandahs, napping in the afternoon breeze and enjoying the company of friends and music in the evenings!

In-built seats offer transition spaces for indoor and outdoor living. These are all interpretations of the traditional ‘balcao’ that is so integral to Goan architecture and is seen present in the old Portuguese houses in Goa. The ‘balcao’ emphasizes the importance of enjoying nature and the good life. The images are examples of in-built seats across our projects.

Photography: Sanjeet Wahi

Balcao from front entrance at House of Three Pavilions

Outdoor seating at the House of Three Pavilions

References of traditional balcao

Outdoor seating at the House of Three Pavilions

Read More

I was invited by India Today Home to create a Masterclass for their readers during this lockdown. I recorded a session detailing how one can adapt the principles of Japanese Minimalism in the design of one’s home.

I chose two real-life examples by two contemporary architects I admire- Bijoy Jain and Kengo Kuma- to demonstrate how this has been achieved in their projects. Watch the video here, that has been reposted from India Today Home. This was something I really enjoyed making. 

Read On

Bathroom at Nivim. Photography by Sanjeet Wahi.

Bathrooms are such a neglected subject in the design-build process. To view this space as a sanctuary, a place to retreat to after the chaos of the workday has passed, that has been the inspiration behind designing the bathrooms in all our projects. The above image is a bathroom from Nivim with sunlight pouring in.

A powder room in Navovado. Photography by Sanjeet Wahi.

A guest bathroom in Nivim. Photography by Sanjeet Wahi.

The master bathroom in Navovado. Photography by Sanjeet Wahi.

The master bathroom in Nivim. Photography by Sanjeet Wahi.

Read On