Goa is celebrated for its vibrant art festivals like Serendipity and a rich art community with art schools and galleries. But have you heard of

Kaavi Art?

Kaavi Art, Picture credits: Parnavi Bangar

Kaavi Kale, or Kaavi art, is a traditional mural art form native to Goa. Known for its terracotta-colored intricate patterns against stark white backgrounds, on the inner walls of old temples and churches. 

What made Kaavi art possible was Goa’s abundant laterite stone. Craftsmen ground the Tambadi Mati (laterite dust) into a pigment, which, combined with lime and mud, became the foundation for this art. This tradition flourished in Hindu temples and church interiors, and remnants can still be found in places like the Lady of Rosary Church and the Museum of Christian Art (MOCA).

The process of creating Kaavi art was labor-intensive and required skill.

Walls were first plastered with white shell-based lime, followed by a layer of Kaavi paste. Patterns were then carved into this wet layer, revealing the white plaster beneath.

The artwork was then cured for weeks, with local stones used to tap and polish the surface, increasing its life.

Today, Kaavi art is almost forgotten. Many local craftsmen are no longer familiar with its original techniques. However, efforts to conserve and revive this art are taken and stencil-work is done in some churches to conserve the art form. Organizations like MOCA are conducting workshops to reintroduce Kaavi art to the people. Although modern methods were used in this workshop, they bring much-needed attention to this forgotten tradition.

Next time you visit a Goan church, take a closer look at its walls. You might just find the timeless beauty of Kaavi Kale quietly waiting to tell its story.

The Church of Our Lady of the Rosary, Picture Credits: Parnavi Bangar

Know more about Kaavi Art.

Know more about Goa and art in Goa.

know more about our projects in Goa or Toybox, Villa in Goa is available for Sale.

At Grounded, we design villas in Goa that embrace the cultural roots of the state. Each of our projects reflects the essence of living in Goa, connecting with the rich heritage and slow, peaceful ‘Sussegad’ lifestyle. You’ll find home objects familiar to Goa in every corner of our designs, from rooster-shaped water jugs to coconut shell spoons and charming terracotta figurines. 

To find these unique artifacts we love to go treasure hunting at the special Friday market of Mapusa in North Goa. A labyrinth of streets, the market is filled with local flavor and vigor. Village ladies travel from all over Goa to sell their wares, local produce, and home-cooked goodies. 

mapusa market, north goa

In the bylanes, there is a section dedicated to the local terracotta pottery only on Fridays. Along with the famous Goan terracotta roof figurines, one can find other lovely pieces of pottery like terracotta wall hangings, Ghumotts (terracotta musical instruments), piggy banks, pots, and a lot more. It is the pinnacle of local arts and crafts. The collection keeps changing as new designs and new pieces are made. Every item is handmade, showcasing craftsmanship and offering a glimpse into the traditional Goan way of life.

Terracotta pottery and figurines

Whether you’re looking for unique Goan home décor or simply want to immerse yourself in retail therapy, this market is a must-visit for finding Goan treasures in North Goa. Everything from local pottery to everyday life is available here in one place. 

Read more about the Mapusa market here. 

Read about the significance of Terracotta Figurines. 

At Grounded, where our office has been in Goa since 2010, we often go on heritage walks and bird-watching expeditions as a team to get to know each other as well as to get to know Goa. This time, we ventured into South Goa, villages of Assolna and Velim for a heritage walk organized by the Museum of Christian Art. Headed by Clive Figueiredo and Noah Fernandes. Our walk began at the Holy Cross Chapel Baradi, with stunning views of the area that we were about to explore. Followed by St. Francis Xavier Church, Velim, and Regina Martyrum Church, Assolna. 

Goa has more spoken traditions than written records. One such cultural tradition makes Velim village, important for the locals. The Churches here are not as elaborate as the churches in the north or other parts of Goa but have a historical importance. We started with St. Francis Xavier Church, Velim established in the 19th century. The facade of this chapel has a bell tower at the top center which is neoclassical, and has minimal features having IHS insignia. The facade can also be counted as Art Deco in Goa because of the sunburst on the sides. 

As we went inside the Church we were briefed about the iconography associated with elaborate features of the structure. For example, in Asolna the majority of locals are shipbearers so the Our Lady in the church holds a silver or wooden carved ship in her hand. We also learned about dying features like the Pulpit. Which is not in use anymore and some churches are removing those elements. In this church, because the staircase on the other side of the wall leading to the pulpit is now removed, it just floats on the wall with no way to access it. 

Pulpit

As the time passes, both the churches have gone through some modifications. We learned how by observing the color, sometimes the material, and intricacy in ornamentation we can tell the time period of that object. Both the churches we visited were of a different time -so we could observe the variations in detail and changes done over time. 

Our final stop was Regina Martyrum Church, Assolna. There is photographic evidence of this church having a fort wall remains in its premises back in the day. This chapel was more elaborate and huge with its school premises, offices, cemetery, and the Cristo Rei monument! We learned about the church and its mosaic tiles, wooden carvings, and iconography. One of the most fascinating moments of the walk was exploring the closet of ceremonial items inside the church building. 

It was a very good effort by the Museum of Christian Art to bring together a group of interested people from different backgrounds. We were also accompanied by residents from the Museum of Christian Art Society for the walk. The heritage walk was not just for architects, it was a wonderful gathering of local enthusiasts, conservationists, and historians, all passionate about Goa's rich cultural fabric. Whether you're living in Goa or you are new to Goa, this heritage walk can help you connect with the city a little better.

Holy Cross Chapel, Baradi

St. Francis Xavier Church, Velim

Regina Martyrum Church, Assolna

Cristo Rei, Assolna

Read more about South Goa and Goan Heritage

On one of our Villas in Goa sites for Grounded Villas, we faced the need to cut down a few teak trees onsite. Instead of letting this valuable wood go to waste, we saw an opportunity and decided to reuse it creatively.

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Working with a local craftsman, Nereus Drego in Goa, we designed the teak into custom-made furniture pieces. The furniture pieces are a long country table for the eat-in kitchen for Toybox, along with two uniquely designed center tables.

These furniture pieces not only stand out for their beautiful design but also hold sentimental value. It's crafted from the very trees that once were a part of the site, creating a lasting connection. It's our little effort to savor the precious resources of the environment and the trees in Goa.

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Using natural materials in our interiors aligns with our philosophy of ecological design by blending indoor spaces with nature. One of the center tables is interactive and designed for a family that opens up into small storage for display. The long table in Toybox's kitchen serves as a focal point, as the double-height kitchen space is the heart of the house. Toybox is about to launch soon! Subscribe to our newsletter to learn more about Toybox and our sustainable design practices.

We love designs that at once marry form and function and do so with panache. As we design our houses in Goa, we are constantly on the lookout for products that elevate a spatial experience through colour, texture, and shape - all without compromising on functional capabilities. The Rio lamp by designer Harshita Jhamtani delivers all this and more.

The Rio shines in different natural stone finishes ranging from White Travertine, Bheslana stone, Green Forest Marble, and Sandstone, among others. In each case, the designer says, “All the lamps are carved out of a single block and have a fluting detail complimenting the properties of each stone.” The diverse options available ensure that there’s a Rio that works for every design style and every kind of space.

Furthermore, the Rio is built to last. In interpreting sustainability, Harshita Jhamtani qualifies, “As a studio, we believe that the most sustainable practice for a designer to adapt, is to create products that their patrons can buy once and cherish for a longtime. We bring this very dream to life by creating long-lasting unique pieces that shall take a small step towards accelerating the low carbon economy.”

Images courtesy Harshita Jhamtani designs

The Rio lamp is minimal, yet artful and robust with its material sensibilities. It is a beautiful way of bringing the elements of the outdoors, indoors. It is timeless in its rustic simplicity.

Goa is beautiful and rich in its diversity. It has something to offer to every visitor. In this blogpost, we have created a quick map with some of Goa’s best - your very own printable checklist of what to see, where to go and what to do over your next Goa trip. The map has a mix of old houses in Goa, its most popular beaches, the best natural and wildlife sanctuaries in Goa among other popular destinations. For a detailed breakdown of the differences and similarities between North Goa and South Goa, click on the map to read our analysis comparing the two districts.

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Unlike the other colonial powers in India, the Portuguese managed to leave a much more visible mark on the residential architecture of the area they ruled. The British and the French left their mark on the architecture of huge buildings such as assemblies and railway stations which have since become landmarks of the period.

The Portuguese in Goa built residential houses reflecting a style which is hardly found elsewhere on the Indian subcontinent. These magnificent palatial houses inspired by European architectural style are still found in Goa today, although they are confined to the rural areas such as Chandrapura, Chandor and Loutolim. These mansions were built in an era when the Portuguese had handsome profits from their trading colonies in Africa and South America.

This blogpost looks at some of the old heritage houses of South Goa which were inspired by European architectural styles and stand tall even today.

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Braganza House

The Braganza House is 350 years old and occupies one entire side of the village square in Chandor. This elaborate mansion is spread over 10,000 sqm and is divided into two wings that are occupied by the Braganza family. The palatial house has a stunning ballroom, massive Belgian crystal chandeliers, exquisite antiques collected over centuries and the oldest private library in Goa with over 5000 books.

Palacio do Deao

Palacio do Deao, a 213 years old mansion, was built by a Portuguese noble man, who was the Dean of the Church, and founder of Quepem town. The house faces the Church he built and is on the banks of the wildly beautiful Kushavati River. Here’s a video about the lovely house.

Figueirido House

The magnificent Figueirido House in Loutolim took shape as early as 1590, at a time when the Taj Mahal was yet to be conceived. The Figueiredo family had a prominent presence in Goa as lawyers, diplomats and ambassadors. Today, the family has converted part of this palatial home into a historic museum with yet another section opened out as a breathtaking heritage homestay for visitors. Take a virtual tour through this palatial estate here.

Casa Araujo Alvares

This 250-year-old mansion belongs to the Alvares family and forms part of the Ancestral Goa tourist complex, set up to recreate Goan village life under Portuguese rule. The house has a spacious courtyard, a quaint chapel at its centre, old European furniture like most of its contemporaries and eclectic seashell windows that bring the beach inside.

To know more about the hidden gems of South Goa, read The Charms of South Goa - Part I

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I speak to India Design ID, sharing my dream alternate profession in Auroville, and reminiscing a cherished memory involving Anupama Kundoo from her summer internship there. Also watch her expound the charm of New York City, and deliver a powerful message for change, directed at women.
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I personally like to collect specimens from nature. My favorite ones are seeds and shells. So when I came across the work of Rowan Mersh on Designboom, it caught my eye and really captured my imagination. He uses shells to weave fabric like artworks! Enough said, see the images below and they will transport you as well.

Images from Designboom

And around the same time, I also came across the new National Museum of Qatar by the genius architect Jean Nouvel. This building is goes ‘beyond’ everything we thought architecture can be… A great example of architecture as art, it looks like a building manifestation of Rowan’s artwork. The inspiration from nature is so apparent that one doesn’t really need any descriptive text to be in awe of the form, the structure, the color and the scale of the building. I think I will visit Qatar just to visit this museum (just as soon as COVID stops terrorizing us).

Images from JeanNouvel.com

Working with clay has a special place in my heart, so do botanicals specially seeds. I came across Khageshwar Rout’s work through Project 88 Instagram. It combines my two loves and really speaks to me. I love the complexity and the depth within each piece. Enjoy them…

Study of Things Wood Apple

Study of Things Bone of a Cotton Seed

Study of Things Ridge Gourd Wild

Study of Things Ridge Gourd

Photos credit: Gallery 88