At Grounded, where our office has been in Goa since 2010, we often go on heritage walks and bird-watching expeditions as a team to get to know each other as well as to get to know Goa. This time, we ventured into South Goa, villages of Assolna and Velim for a heritage walk organized by the Museum of Christian Art. Headed by Clive Figueiredo and Noah Fernandes. Our walk began at the Holy Cross Chapel Baradi, with stunning views of the area that we were about to explore. Followed by St. Francis Xavier Church, Velim, and Regina Martyrum Church, Assolna. 

Goa has more spoken traditions than written records. One such cultural tradition makes Velim village, important for the locals. The Churches here are not as elaborate as the churches in the north or other parts of Goa but have a historical importance. We started with St. Francis Xavier Church, Velim established in the 19th century. The facade of this chapel has a bell tower at the top center which is neoclassical, and has minimal features having IHS insignia. The facade can also be counted as Art Deco in Goa because of the sunburst on the sides. 

As we went inside the Church we were briefed about the iconography associated with elaborate features of the structure. For example, in Asolna the majority of locals are shipbearers so the Our Lady in the church holds a silver or wooden carved ship in her hand. We also learned about dying features like the Pulpit. Which is not in use anymore and some churches are removing those elements. In this church, because the staircase on the other side of the wall leading to the pulpit is now removed, it just floats on the wall with no way to access it. 

Pulpit

As the time passes, both the churches have gone through some modifications. We learned how by observing the color, sometimes the material, and intricacy in ornamentation we can tell the time period of that object. Both the churches we visited were of a different time -so we could observe the variations in detail and changes done over time. 

Our final stop was Regina Martyrum Church, Assolna. There is photographic evidence of this church having a fort wall remains in its premises back in the day. This chapel was more elaborate and huge with its school premises, offices, cemetery, and the Cristo Rei monument! We learned about the church and its mosaic tiles, wooden carvings, and iconography. One of the most fascinating moments of the walk was exploring the closet of ceremonial items inside the church building. 

It was a very good effort by the Museum of Christian Art to bring together a group of interested people from different backgrounds. We were also accompanied by residents from the Museum of Christian Art Society for the walk. The heritage walk was not just for architects, it was a wonderful gathering of local enthusiasts, conservationists, and historians, all passionate about Goa's rich cultural fabric. Whether you're living in Goa or you are new to Goa, this heritage walk can help you connect with the city a little better.

Holy Cross Chapel, Baradi

St. Francis Xavier Church, Velim

Regina Martyrum Church, Assolna

Cristo Rei, Assolna

Read more about South Goa and Goan Heritage

During a recent visit to HH Art Spaces in Aldona, Goa opened in 2014, I saw the ‘Déjà vu’ exhibition, which was a part of a few live performances. This exhibition, photographed by Shivani Gupta, with a focus on performances using masks as props beautifully captured the essence of live performances. The photographs preserved the emotions and energy of the performances, allowing viewers to engage with themes of identity and change even after the live acts ended. One photograph of the exhibit particularly stood out to me, it was Farah Naz Moon’s performance with a green paper sheet.

In this simple piece Called 'How to live together?’, the artist held a large sheet of green paper that moved with her breath and the wind, seemingly merging her with the background. The paper gently covered her face, blurring her identity while locating her presence in the space. Like she was becoming one with her surroundings, not by disappearing but by blending into the context around her.

How to live together?

This reminded me of our architectural practice- Grounded in Goa. When we design villas in Goa, especially with projects that engage with the natural beauty of the land like the House with Three Pavilions and Nivim, we strive for something similar. Architecture that doesn’t dominate but complements. We don’t hide the building behind metaphorical paper sheets, but we design in a way that responds to the environment. 

Spaces that belong

HH Art Spaces

If you're in Goa and love art, be sure to visit HH Art Spaces in Aldona. Located beside a beautiful St. Thomas’ Church with a stunning view, they showcase exhibitions that bring together contemporary art and performance. It's a must-visit for art enthusiasts, young artists, and art collectors looking to explore something unique.

St. Thomas’ Church

During my recent trip to Gujarat for the FOAID event in Ahmedabad, for a talk about our practice in Goa, Grounded. I visited ‘Amdavad Ni Gufa’ where art meets architecture quite literally. This extraordinary art gallery designed by B. V. Doshi, houses the works of the famous artist M. F. Husain. Also known as the Hussain-Doshi Gufa, the design of the space perfectly complements the art in it. The curves, openings, and enclosures create a unique environment with light and shadow playing beautifully throughout the space.

Amdavad Ni Gufa was born out of a conversation between Doshi and Husain that took place thirty years before the project began. The design was a response to the climate, exploring the benefits of underground spaces. The tortoise shell-shaped roof was computer-aided and employed local craftspeople. Made from ferro-cement and then covered with a mosaic of waste tiles and broken cutlery. These tiles reflect sunlight and help keep the interiors cooler than the outside.

Source: ©Hussain-Doshi Gufa

For art lovers visiting Ahmedabad, Amdavad Ni Gufa is a must-visit. It’s not just about the art on the walls; it’s about the entire experience of being in this space. The Gufa leaves a lasting impression, offering a cool, peaceful environment like an ancient cave of modern heritage.

On 5th July, I had the opportunity to speak at a wonderful evening event at Ahmedabad, hosted by FOAID India and Design Perspectives India. The event brought together architects and industry leaders for a productive conference. One of the highlights of the evening was the opportunity to exchange thoughts with the immensely talented Vin Varavarn from Vin Varavarn Architects in Thailand.

During my talk, I shared the vision of Grounded Goa, our architectural firm that focuses on sustainable design. I explained our design process and gave the audience a look at some of our key projects, especially our Villas in Goa.

At Grounded, we combine rustic and contemporary styles to create buildings that reconnect people with nature and the simple joys of life. Our goal is to bring fresh air, natural light, and a sense of well-being into every home we design. Goa Villas by Grounded is a special part of our firm that builds unique and sustainable houses in Goa. We take care of everything from design to construction, ensuring that each house reflects our commitment to both beauty and sustainability.

Listening to other speakers and engaging with the amazing audience was truly enriching. A big thank you to Hiren Patel, Dipen Gada, and Grid Architects for attending the event, and a special thanks to Shraddha for the invitation. The evening was beautiful, and I walked away having learned so much.

On one of our Villas in Goa sites for Grounded Villas, we faced the need to cut down a few teak trees onsite. Instead of letting this valuable wood go to waste, we saw an opportunity and decided to reuse it creatively.

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Working with a local craftsman, Nereus Drego in Goa, we designed the teak into custom-made furniture pieces. The furniture pieces are a long country table for the eat-in kitchen for Toybox, along with two uniquely designed center tables.

These furniture pieces not only stand out for their beautiful design but also hold sentimental value. It's crafted from the very trees that once were a part of the site, creating a lasting connection. It's our little effort to savor the precious resources of the environment and the trees in Goa.

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Using natural materials in our interiors aligns with our philosophy of ecological design by blending indoor spaces with nature. One of the center tables is interactive and designed for a family that opens up into small storage for display. The long table in Toybox's kitchen serves as a focal point, as the double-height kitchen space is the heart of the house. Toybox is about to launch soon! Subscribe to our newsletter to learn more about Toybox and our sustainable design practices.

Our upcoming project, The Crescent House resides in the Nandi Hills of Bangalore. It has a small site with immediate neighbors and beautiful views in every direction. It was a design challenge to incorporate all the 180° pan views of Nandi Hills from the villa. We tackled this with an innovative experiment.

The four of us designers of Build Grounded split up on-site and individually came up with four design solutions. After brainstorming on-site for around an hour, we had a discussion. Considering different approaches, we came up with a strategy then and there. A way through it was the amalgamation of all four directions, which later on developed into the actual design of the house.

As the name suggests Crescent House, the main facade of the house is in a crescent shape. The facade has different openings showing different views in different sizes all across the stretch of the Nandi Hills. Soon to be complete Crescent House is under construction but you can still make out the facade taking shape enjoying the views all around.

Goa is known for its vibrant tourism with its stunning Goan villas, traditional wadas, and modern Goan houses lining the scenic streets. These picturesque homes are nestled among lush plantations and swaying trees in Goa. But have you ever paid attention to the intriguing details on the roofs of these old houses?

Take a closer look, and you’ll notice terracotta figures perched on the entrance gateways and atop the roofs. These old Portuguese houses in the Goa residential area date back 150 to 400 years. The tradition of placing these figures on the rooftops has been there from the beginning, though living in Goa many homeowners may not know their history or meaning. These figures are of soldiers, cockerels, rabbits, pigs, lions, and even seated human figures.

Soldados (Portuguese for soldiers) Saluting at the entrance of a house in Goa

They symbolize the identity of the homeowners, offering a glimpse into who resides beneath the roof without directly knowing them. For instance, lion motifs, mostly seen on the entrance gateways represent strength and signify a connection to the Kadamba Dynasty. The lion was the royal emblem of the Kadamba Dynasty which ruled Goa from the 10th to 14th centuries. Roosters, on the other hand, are linked to the rooster of Barcelos, a character symbolizing integrity and truth from a beloved Portuguese folktale, often seen on the roofs of Goan Catholic houses. Landlords' houses often featured animal motifs like lions, with the animal pointing in the direction of the property.

Rooftop Human, Source: Reddit

Lion on Gateways, Source: Soultravelling

Rooftop sentinel, Source: Gomantak Times

Architecturally, these figures contribute to the aesthetics of the rooftop by sitting on the meeting point of multiple roofs, adding to the visual appeal. The figurines on the gateways give a sense of richness to the visitors, like the massive fort gates. Today, these miniature ornaments are not just decorative; they are an integral part of Goa’s culture, reflecting the community’s rich past. They also connect us to the local artists of Goa who craft these terracotta artifacts, including the charming miniatures.

Curiosity often unveils hidden treasures. So, next time you wander through the streets of Goa, pause to admire these rooftop details. Who knows what stories you might uncover?

The upcoming project of sister villas, The Terracotta House and the Indigo House are taking shape on-site. Set in the Pomburpa Village in Goa, the houses are designed to connect with the land with an ecological design, enjoyed barefoot with the calm interactions of nature. To experience the outcome's look and feel, here’s our material palette.

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The selection and finalization of materials is an important and lengthy design process. Colors and textures define the space. The feel and the vibe we experience are a product of it. Terracotta house is earthy and serene with warm tones, harmonizing the interiors and exterior. Indigo House is calm with quiet views of water, and tones of blue merging with the view.

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In celebration of World Earth Day 2024, we wanted to share our journey of building a small house in Goa using rammed earth construction. We've divided our experience into three parts:

PART 1: the project's inception,

PART 2: the challenges we encountered, and finally,

PART 3: the successful execution of our first rammed earth wall on-site.

Our story begins with the start of the project and a hands-on workshop on Rammed Earth led by Gia Mantra Village. Sanjeev Wahi the COO of Grounded attended this workshop.

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Following this, we delved into research and development specific to our site living in Goa, conducting tests, and facing various challenges along the way.

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Through our dedication and with assistance from Thumb Impressions, we overcame these obstacles and successfully completed the first wall of the house.

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From researching and trying out different mixes to solving real-life challenges with the walls, we've come a long way. Building rammed earth walls depends a lot on the specific site and many factors need to be taken into account. We've successfully built these walls at our site and want to share our experience to help others interested in rammed earth construction find all the information they need in one place. You can find more about our journey on our Instagram. If you have any questions, feel free to send us a direct message.

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If Hampi is to be described in a single word, it would be Majestic. The capital city of the erstwhile Vijayanagara Empire still takes your breath away, six centuries after its downfall. Team Grounded took a trip to Hampi from our studio this January. For anyone living in Goa, Hampi is an ideal destination for a road trip, just 6.5 hours away. On day 1, we visited the stunning Virupaksha temple complex and the surrounding Hemakuta hill.

The nine-tiered Gopuram of the Virupaksha in itself is an architectural masterpiece. The temple complex is a must-visit site for every architecture/history enthusiast, with its intricate detailing dating back to the 7th century.

The Virupaksha Temple

The highlight of our day was the stunning sunset from atop the Hemakuta Hill. The play of light over the historic temples nestled amidst the beautiful boulders of the Hampi landscape was simply breathtaking. The evening sun seemed to echo the grandeur of the once magnificent Vijayanagar Empire to its visitors.

Sunset from atop the Hemakutas

Pushkarani at the Krishna temple

The twin Champa trees framing a Hanuman temple.

Immortalizing the moment through art. Sketch by our Ar. Shrunkhala & Intern Prajakta.

Team Grounded at the Hemakuta Hills.

Photograph Credits: Members of the team at Grounded.